
Today’s soundtrack: ringing like a fire alarm
Today at 9:02pm: shirking
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Me and Tone are on our way to the bar. Not just any bar, my favorite bar, 169. It's not quite a dive-bar and it gets unfortunately hipstered out on the weekends, but you go when it's dead and the music is golden. Guy who runs the place, Charles, has killer taste in tracks. The only place where you're gonna hear Rick Derringer, Rick James and James Brown all in a row.
The bar used to be a Chinese gangster hangout back in the day, and by "back in" I mean "before my." So it's located in deep Chinatown. Me and Tone bang a left off Allen and head down a sidestreet. It's dark out, nighttime, and suddenly I hear a woman screaming.
You hear people scream all the time in Manhattan. It's normally just a bunch of drunken fools getting a little big for their britches because they've spent their first six months living on the Lower East Side, were under the mistaken impression it was still dangerous, and now that they've found it's not, think
they're dangerous.
But this was different, this screaming; it sounded sober, and fearful.
"You hear that?" I said, stopping.
Tone stopped, cocked his head. "Yeah."
I swung the melon left and right and my eyes came to rest on a door. A ways down the block, just a plain door in the middle of the brick, seemed like the back door to a restaurant or a store, and definitely the source of the wailing.
I crossed the street and headed towards it. I didn't have any idea what I'd do once I got there, but sometimes you just do things, right? Like when you meet some chick at a bar, and thirty minutes ago you were total strangers, but now it's a couple drinks later and you find yourself tilting your head and leaning in even though you can't quite remember her name (and that gives you a sick little thrill, because you're a guy and you've got problems).
Me and Tone get halfway across the street, the screaming amplifies, then I get a good look at what's going on in that doorway and we do a quick about-face. Don't want any part of that mess. I get a quick glance at the guys and specifically, their haircuts.
Chinatown gangsters are mostly invisible in the daytime, but you see them here and there. Punk kids with the haircuts, occasionally with an older big dog who runs the show. This time it's two lookouts on the door, surely more inside; and by the sounds I can now tell what the action is, somebody's getting shook down.
In addition to the woman screaming I can hear a young man yelling violence and an old man doing a combination of groaning and crying--basically, making the sounds you'd expect an old man to make if he was slowly having the shit kicked out of him.
I didn't get a look inside, but my ears told me the young man was delivering punches and kicks to the old man, who I'm guessing didn't have the money he was supposed to cough up. The screaming woman was probably the old man's daughter or maybe wife, shrieking her heart out in protest. But as loud as she screamed, the beating continued, and the old man sounded like he was having a rough time of it.
I didn't feel good walking away, but instincts from Old New York kicked in, that voice that tells you to mind your own fucking business in a persuasive Brooklyn accent. I don't know the full story, and even if I did I'm not about to get stabbed by a bunch of undocumented punk fucks for some total stranger; if I'm going to be killed I'd prefer it was by a citizen with decent hair, and I'd rather the coroner pulls a real knife out of me and not some hardware store shank.
I didn't turn around to see if the punks were hawking me because I didn't want to know. But halfway down the block I started to feel a little guilty, and me and Tone stopped. "We oughta do
something," I said. I turned around. The punks weren't looking at us. I looked around to make sure we weren't being observed, then I broke out the cell and dropped dime.
"Nine one one, what is your emergency," said the operator, who sounded like she was flipping through a magazine. I told her the story, gave her the location and hung up.
Tone and I hung around on the curb, far enough away that the lookouts wouldn't notice us. We wanted to see the Crown Vics with the blazing gumballs, the constabulary denouement.
Five minutes passed, then ten. Then fifteen. Occasional traffic, but no police.
This whole time, the woman kept shrieking her staccato Chinese invectives. Sounded like Fukienese to me. She even appeared in the doorway, as did five or six more punks (I was so right not to go back there), all milling about and looking irritated while Chinatown's Jack Dempsey worked up a sweat inside. I thought for sure one of them would slug the woman, she was right up in their face, but no one touched her; they acted like she was a ghost.
After twenty minutes Tone and I realized the police weren't coming and that there was nothing to be done. Superheroes we ain't; tipplers we are. We made for the bar.
Shortly we had our elbows on the wood, amber fluid on the rocks, and the sounds of the woman's screaming, which had rang so loudly in my ears, completely drowned out by Rick Derringer.
Sorry, auntie, I gave it a shot. Hope your man's okay.
